Halftones & Screening in flexo is a special printing technique, lets understand it better.
Throughout its history, flexography has been printing quality line art and spot colors on a wide variety of substrates. However, it is the recently improved capability of high-quality, economical four-color process printing that has given flexography an edge over other processes for packaging applications. Here is an explanation of Halftones and screening in flexo:
The Halftone Dot
Screen Tints and Gradations
Most photopolymer plates are capable of holding a 2% highlight dot. If plates aren’t properly exposed, however, screen tints and highlight dots less than 3% tend to drop out. Because the small dots of highlight areas are subject to relatively large dot gain, it is important that any highlight limitations are discussed with the printer before separations are made. Although printers in offset lithography can print acceptable highlights using 5% film dots, flexographic printers may have to reduce a similarly bright highlight to 2%, taking into account the additions of dot gain.
Gradations and Vignettes:
Flexographic dot gain on highlights makes it difficult to print a fade-to-white gradation without a harsh break at the highlight edge. When designing images for flexography, it is best to fade off the end of the design (rather than to white). Or you can also place a border at the highlight end of a vignette.
In flexography, the shape of the halftone dot used to reproduce a continuous tone image can significantly affect the density of the image. Halftone dots can be generated in a number of shapes, including square, elliptical, octagonal, and both symmetrical and asymmetrical dots. At 50% coverage, for example, square dots produce a pattern resembling a checkerboard, with individual dots just beginning to join at their corners. When plates are created from film, dot gain increases the joining of the dots. This causes sudden jumps in density in the printed image, rather than a smooth, continuous transition.
How to minimise it ?
To minimize the density jumps, printers can use other kinds of dots that remain discreet and retain their shape, even at coverages of sixty and seventy percent. A round dot, or octagonal dot are often used. Though most design software can specify round dots, selection of dot shape should occur early in the process to avoid choosing a shape not available in the RIP, imagesetter, or platesetter.
Conventional Screen Ruling
Selection of proper screen ruling, which is critical to four-color process flexography, is often dictated by the type of substrate. Anilox cell count and screen ruling for separations should be correlated for best results. The cells of the anilox, which ink a halftone plate, should be large enough to produce appropriate color strength. However it should not be so large that the halftone dots will dip into them like an inkwell. For conventional halftones, resolution is expressed as the number of lines of halftone dots per inch, also called screen ruling or lpi. Higher screen rulings produce higher resolution images because there are more dots per square inch used to reproduce detail. Compare the images in a newspaper (low screen ruling) to a picture in a monthly magazine (high screen ruling).
Stochastic, or frequency modulated (FM) screening, can offer advantages over conventional halftone screening. This screening technique eliminates the possibility of moiré. It also allows the flexographic printer to use HiFi color, which involves the application of six or seven process colors. Dot size used for stochastic screening, however, is extremely small, comparable in size to the highlight dot of conventional screening. Since flexography is subject to significant dot gain, stochastic screening should only be used after the printer and color separator have performed press fingerprints to determine the ideal dot size and accurate compensation for dot gain.
Line Screens and Cells Per Inch